The 45s - now there's a name I don't think we'll be hearing the last of. Impressive at times
(though I still think there's a lot to work on) pinpointing the influence in their style has
proved difficult; though Britpop is a starter for ten. Most of their sound is delivered from the
sole guitarist, ranging from a quirky "Something For The Weekend" nature to a distorted stadium
rock attitude to that fuzzed guitar that's infiltrating a more dance edge to the current influx
of today's rock bands. The vocals are equally unique, including excellent harmonies just when
you want them. So... comparisons? I'm not going to even try.
By Dave Sugden
The 45s, touchingly named after a medium that barely exists these days, have risen from the
ashes of the one-time indie hopefuls Ruth. Though their amiable, crunchy pop is about as
innovative as Toploader's, they have an outstanding guitarist in Ben Hales, while the singer,
Matt Hales, exudes the fresh-faced optimism of a young music hack.
If you can cope with the concept of Muse struggling with the greatest hits of Joan Jett, you'll
get the idea, but the 45s' Queen-style harmonies boast a sense of fun sadly lacking in Devon's
biggest band. Their forthcoming single "Something Real" is hardly their best tune, outstripped
by the Super Furries-style boogie of the dreadfully titled "Waiting for My Heart to Break" and
the catchy closer "I Got to Tell Her". Radio 1 roadshows surely beckon.
By Steve Jelbert